Wednesday, April 16, 2025

Defending Lasch, Left and/or Right by Russell Arben-Fox for THE FRONT PORCH REPUBLIC

 


FRONT PORCH REPUBLIC

Defending Lasch, Left and/or Right

By Russell Arben Fox -October 8, 2009





Wichita, KS. No one, I think, has ever summed up the longing for a life with front porches–the localist longing which is this blog’s raison d’ĂȘtre–better than Christopher Lasch did, in this plaintive passage from his masterpiece, The True and Only Heaven: Progress and Its Critics, when he spoke about his and his wife’s hopes for their family life when they were young:

“We wanted our children to grow up in a kind of extended family, or at least with an abundance of “significant others.” A house full of people; a crowded table ranging across the generations; four-hand music at the piano; nonstop conversation and cooking; baseball games and swimming in the afternoon; long walks after dinner; a poker game or Diplomacy or charades in the evening, all these activities mixing adults and children–that was our idea of a well-ordered household and more specifically of a well-ordered education. We had no great confidence in the schools; we knew that if our children were to acquire any of the things we set store by–joy in learning, eagerness for experience, the capacity for love and friendship–they would have to learn the better part of it at home. For that very reason, however, home was not to be thought of simply as the “nuclear family.” Its hospitality would have to extend far and wide, stretching its emotional resources to the limit (p. 32).”

With this passage’s reference to extended families and its suspicion of an over-reliance upon public schools, with its invocation of moral and cultural virtues and of dozens of humble, bourgeois practices (evening meals, organized sports, family games, etc.), it could probably be labeled–by those who usually identify with the left, that is–as either a nice but harmless bit of right-wing nostalgia at best, or as a canny bit of “traditional values” agitprop at worst. But it’s neither, of course, because Lasch was himself a product of the left side of our confusing and often inaccurate ideological divisions.

Though he never took socialism particularly seriously, and though he spent most of his career probing the pathologies and misunderstandings of American liberalism, his fundamental political and economic aspirations were generally clear: he liked democracy, and believed in equality (among his last political acts were a vote for Bill Clinton in 1992, and speaking out in favor of a “huge jobs program” in the pages of Salmagundi in 1994). But such convictions don’t lay to rest his critics on the left, however.

A couple of months ago Crooked Timber, a well-known left-liberal academic group blog, hosted a symposium discussing a terrific collection of essays by George Scialabba, What Are Intellectuals Good For? In that book, Scialabba–a wonderfully smart and incisive reviewer of and commenter on the intellectual currents of American life–provides sharp takes on all sorts of writers and thinkers, from (moving left to right) Richard Rorty, Edward Said and Irving Howe to William F. Buckley, Victor Davis Hanson and Allan Bloom.

The only author, though, to receive two full essays all to himself is Lasch, whom Scialabba clearly considers a hero of sorts, and this made some of the respondents to Scialabba mad. Rich Yeselson, in particular, really let him have it, shaking his head at the sympathy a leftist like Scialabba shows for a man like Lasch, who believed the real hope for democracy and equality was to be found in local cultures, intact families, supportive neighborhoods, independent labor and ownership…in other words, in ordinary–and therefore, it must be admitted, usually rather defensive, and perhaps often somewhat exclusionary–producers and workers:

“Because all of [Lasch’s] hardy “Artisans against Innovation”…plus the populists, plus the virtuous small “producers” have been wiped out by the early part of the 20th century, and because these folks were all proud of their skills and because they were ethnically homogeneous, Lasch can’t explain how the hell millions of unskilled, ethnically heterogeneous workers formed the CIO in the 1930s–and with it the backbone of the American middle class for the next two generations….So why does Scialabba let Lasch off the hook? Perhaps because he seems drawn most to writers and thinkers whom Sartre might have called the “unsalvageable,” after Hugo [Barine], the disillusioned leftist who goes down in a hale of Stalinist bullets at the end of Dirty Hands while shouting that he is “unsalvageable” (as opposed to those The Party cynically deems “salvageable” for its own instrumental purposes)….So Lasch, shouting out the Great Refusal to all of modernity, is another in this long line of gutsy truth tellers who push against the grain of the conventional wisdom. And Scialabba gives him bonus points for his unsalvageability.

“Way too many. Lasch builds a vast transportation device that does not move. His fantasy of a producerist ideology somehow redistributing wealth and power in a multi-polar world dominated by large pools of capital is just goofy. Lasch fears the very State that is the only entity capacious enough to circumscribe the power of private interests. He’s all dreams, he’s got no plans, and we want the plans….The people are busy–I’ve spent a lot of time around them. I’ve got a pretty good feel for this. Their jobs suck and they’re exhausted. When they get it together to do something amazing like build the CIO or create the Civil Rights movement, it’s a mitzvah composed of all kinds of things, especially incredibly tenacious, labor intensive organizing. Some of them are wonderful, and some of them are awful, and most of them are in between–kind of like everybody else. People who actually spent time around working class people…do not think of them or write about them in the way Lasch did….Lasch spent too much time trying to demonstrate that some stratums of the downtrodden were right or noble or resistant to the encroachments on their way of life. [Richard] Rorty spent his time just trying to argue against those with power who were trying to screw them, regardless of whether the downtrodden themselves were so wonderful or their way of life was so great. Because frequently they aren’t and it isn’t. A lot of local knowledge isn’t so humane….The world has always been a scary place, and it’s always been the fit though few who have undertaken to make stuff better. And, over time, they pick up some fellow travelers, and, oddly enough, things do get better.”

This is, of course, a particularly influential strand of the liberal progressive mentality in a nutshell: the conviction that most people, most of the time, are too invested in taking care of their own, or too exhausted by the simple demands of survival, to care much about systematic exploitation, and hence that any real “progress” towards equality and democracy is almost always going to have to come from the “fit though few,” not from ordinary people, in their own places, speaking from their own limits. It is a mentality that Lasch denies the truth of, root and branch.

Genuine democratic and egalitarian improvement in the lives of human beings–ending slavery, improving working conditions, respecting civil rights, providing education–always has at its heart, Lasch maintains, the activism of men and women from more or less well-defined communities, demanding independence and respect. It should be noted, though, that unlike some critics of the progressive ideal, Lasch himself didn’t think that the so-named “Progressives” of American history were themselves so thoroughly addicted to that liberal progressive worldview that they failed to recognize the communitarian and cultural undercurrents which efforts to better one’s own and others’ lives must invariably draw upon. He wrote, in his last complete work, The Revolt of the Elites and the Betrayal of Democracy, that:

“Progressive thought was lively and suggestive precisely because so much of it resisted the political orthodoxies associated with the idea of progress. A number of important progressives refused to accept the division of society into a learned and laboring class as the price of progress. Nor did they embrace the welfare state as the only way of protecting workers’ interests. They admitted the force of the conservative objection that welfare programs would promote a “sense of dependence,” in Herbert Croly’s words, but they rejected the conservatives’ claim that the “wage-earner’s only hope is to become a property owner.” Some of the responsibility for “operating the business mechanism of modern life,” Croly maintained, would have to be transferred to the working class–or, rather, wrested by the workers from their employers since their “independence…would not amount to much” it is were “handed down to them by the state or by employers’ associations” (p. 82).”

So readers of Lasch–perhaps especially Front Porch Republic readers of Lasch, drawn to him because of his populist case for an economy of producers, a society of communities and neighborhoods and families–remain confused. He praises Progressive reforms, but attacks the dole. He speaks glowingly of strikes and labor unrest, and calls it all “conservative.” How to defend such a person, when you don’t know which direction the target is facing when attacks come from left and right?

Many of Lasch’s fans have tried, of course. Alan Ryan, in an old essay in The New York Review of Books, wrote that Lasch’s “populist values…defy categorization,” since “Lasch sounded very like a member of the Republican right when denouncing work-shy, sexually predatory young men, and like an unreconstructed member of the Old Left when denouncing hard-working but financially predatory bankers, managers, and brokers.” Jeremy Beer, in an essay for Modern Age a few years ago, suggested that The True and Only Heaven was Lasch’s “attempt to provide a pedigree for a more radical, more democratic–and more consistent–brand of cultural conservatism,” one that combined economic leveling with traditional and local ways of life.

Kenneth Anderson, in a Times Literary Supplement essay published soon after Lasch’s death, seemed to want to remove Lasch from his frequent association with communitarian critics of modernity, and align him instead with the left-libertarian cause, emphasizing his “anti-statist and anti-capitalist” teachings, suggesting that it wasn’t so much radical self-interest and individualism which Lasch opposed, as it was “authoritarianism, the peculiar form of communitarianism emerging from the conjunction of state and therapy,” and concluding that the public virtues Lasch rightly believed to be necessary for democracy could never come from such communitarian-praised actions of the 1990s as “Bob Dole’s railing against Hollywood or Bill Clinton’s preaching against pregnancy to black teenage girls,” but rather that “communities [must be allowed] to reformulate themselves, if indeed they will and along such lines as they will.”

Which, really, isn’t at all an untrue claim…but it is an incomplete one, and Lasch’s own writings show why it is incomplete. While that may not settle Lasch’s place once and for all–which is a bad goal anyway; isn’t the whole point of criticism such as Lasch’s to “unsettle” us?–responding to this particular claim, at least, may make it a little clearer exactly how we who love our local places should defend Christopher Lasch.

The one time that Lasch engaged with communitarian thought in a sustained way (in the chapter “Communitarianism or Populism? The Ethic of Compassion and the Ethic of Respect,” in Revolt of the Elites), he described his disagreements with the movement as a “difference in emphasis” rather than one of “irreconcilable opposition.” In fact he has many good things to say about some of the movement’s foremost thinkers, including Robert Bellah and Amitai Etzioni, and lumps communitarianism together with populism as “third way” projects, “reject[ing] both the market and the welfare state.”

At its roots, his real reservations with communitarian arguments are, in essence, class reservations: as he saw it, communitarianism emerges from an academic, sociological perspective, and tends to look upon the crucial virtues which participation in the traditions and rough equality of decent communities can teach people as something needful and precious, and thus in need of conservation and compassionate support. Whereas populism, on his reading of its arguments, is more defensive, radical, and grounded in a defiant expression of the limits of life in a decidedly non-elite (usually, though not always, rural) working world.

Academic defenders of community can be misled by top-down thinking, missing the essential structures–including the bottom-level socio-economic class structures–which populists intuitively know that their communities depend upon if their expressions of respect, competence, and judgment–all essential parts of their contribution to democracy–are not to be blown away by elite and/or intellectual reconstructions of social life. He writes:

Communitarians regret the collapse of social trust but often fail to see that trust, in a democracy, can only be grounded in mutual respect. They properly insist that rights have to be balanced by responsibility, but they seem to be more interested in the responsibility of the community as a whole–its responsibility, say, to its least fortunate members–than in the responsibility of individuals….But it is our reluctance to make demands on each other, much more than our reluctance to help those in need, that is sapping the strength of democracy today. We have become far too accommodating and tolerant for our own good. In the name of sympathetic understanding, we tolerate second-rate workmanship, second-rate habits of thought, and second-rate standards of conduct….Democracy in our time is more likely to die of indifference than of intolerance. Tolerance and understanding are important virtues, but they must not become and excuse for apathy (pp. 106-107).

The ability to make judgments is a function of maturity, and maturity comes, Lasch argues, drawing upon both history and psychology, when individuals depart infantile worlds of helplessness and instant gratification, and instead come to appreciate–and eventually fiercely protect–the chastened lessons of experience, struggle, and the limited victories of life. An environment where wealth and respect is fluid, mostly untied to practical disciplines requiring time to master but instead rewarded to those who excel in pleasing or manipulating their human and intellectual surrounding, will result in gaps between winners and losers that no person can consider legitimate, thus making any attempt to impose community-wide standards and responsibilities slightly ridiculous and primitive to members of the new class of elites; it will be obvious to those in power that those ordinary folk who have not made the meritocracy work for them, and entered into the world of financial and social opportunity and mobility which it makes possible, will likely have no grasp the modern world. Which, of course, in turn leads to resentment, and a poisoning of the very virtues which a localized economy of limits once taught.

Lasch’s overall conclusion, in analyzing this process, is that democracy needs a defense of community that is more specific than the kind which some sorts of arguably condescending, vaguely redistributive, communitarianism promises; it needs some local, historical basics, and bite. He concludes:

“Back to basics” could mean a return to class warfare (since it is precisely the basics that our elites reject as hopelessly outmoded) or at least to a politics in which class became the overriding issue. Needless to say, the elites that set the tone of American politics, even when they disagree about everything else, have a common stake in suppressing a politics of class. Much will depend on whether communitarians continue to acquiesce in this attempt to keep class issues out of politics or whether they will come to see that gross inequalities, as populists have always understood, are incompatible with any form of community that would now be recognized as desirable and that everything depends, therefore, on closing the gap between elites and the rest of the nation (p. 114).

I think this is unfair to many communitarian writers, at least some of whom have very clearly articulated the impossibility of preserving the democratic and egalitarian potential of community membership in an environment where often unregulated and technologically unlimited capitalism ruins any sense of common life between the classes, and thus often ruins as well any possibility of collective, virtue-teaching participation, the sort where–as the quote at the beginning of this post emphasized–families could take a secure place in, and thus contribute to, a wider context of life. But whether you call it populist or communitarian or something else entirely, the driving charge of Lasch’s critique is clear.

As he says in his introductory essay in Revolt of the Elites, “a democratic society cannot allow unlimited accumulation…civic equality presuppose[s] at least a rough approximation of economic equality” (p. 22). Scialabba sums up Lasch’s overall claims similarly in one of the essays in What Are Intellectuals Good For: “[Lasch’s] ideal has at least two radical implications. The first is that democracy requires a rough equality of conditions. Dignity and virtue cannot survive indefinitely amid extremes of wealth and poverty; only someone with a paltry conception of virtue could believe otherwise. The second is that the democratic character can only flourish in a society constructed to human scale” (pp. 182-183).

What follows from such a diagnosis? Good question, and one might be justified in thinking that Lasch’s vocation as a critic too-easily saved him from the harder work of answering it, and thereby building up some alternatives. (In this, he was perhaps taking too much comfort in being in the same position as his populist forerunners; on the last page of Progress and Its Critics, he called the populist tradition failure to develop a strong political or economic theory “its most conspicuous weakness”–p. 532.)

But it is not as though answers are impossible to find in Lasch’s oeuvre: he wanted to see jobs defended, wages secured, trade limited, cultures respected, neighborhoods supported, manual labor revived, proprietorship encouraged, industry regulated, corporations restricted, families embraced…and he wanted, to every degree possible, this done in a manner which did not rob authority and integrity from (quoting John Dewey–another Progressive!–here) “the local homes of mankind” (Revolt, p. 84). Complicated? Obviously.

Some of the above would require broad reforms and expensive legislation and politically unpopular stands, while some of it–perhaps the even more difficult parts of it–would depend upon individual and family sacrifices and changes. Is the goal itself impossible? Yeselson thinks so; in one of his further responses to Scialabba, he insisted that “Lasch somehow thinks, that in the name of a greater sense of self and stronger connection to one’s productive capabilities, you can mitigate the great productive power of capitalism–but yet have plenty that will be left over to expropriate from the expropriators. It doesn’t work that way–dividing up less leads not to serenely making your own buttermilk, but to fascism.” That’s quite a leap there–a not-completely-unreasonable leap, but a big leap nonetheless. One can only hope that Yeselson is wrong, and we can make compromises which move us in a Laschian direction, seeing as how our current global environmental and economic situation suggests what we will have to accept “dividing up less” anyway.

Scialabba, assessing the final value of Lasch’s perspective, suggests that at our present moment we have only three options for the future: “1) ecological catastrophe; 2) a domestic and international caste system, with extreme and permanent inequality, harshly enforced; or 3) a voluntary renunciation of universal material abundance as our goal and of mass production and centralized authority as the means”…then adding that “[o]bviously, only the last is even potentially a democratic future.” Assuming that people who like localism like it at least in part because of its democratic promise, then defending Lasch’s fierce commitment to economic and civic equality seems to be a necessary step in any vision that includes front porches.

Lasch’s connection of democracy and community to equality–as both a prerequisite and a result–moves him definitely to the left, I think (making “equal prospects for a flourishing life” a central value being almost stereotypically a left-wing attitude rather than a right-wing one), but it’s an odd left, a left that owes more (and more directly) to Rousseau’s moralistic concern with how modern economic life could warp private life and the development of individual character (a point Ryan made in the aforementiond NYRB essay). A left conservatism, perhaps? Or maybe, more simply, just different, more serious, religious left? Paul Gottfried, in a long, thoughtful and lyrical reminiscence about Lasch (and others), wrote that Lasch’s ultimate goal was to articulate “a religiously based communitarianism that could serve as an alternative to multinational capitalism.”

Why religiously based? Because, it seems, he doubted that individuals would be able to recognize and adhere to the limits of local communities (and thus receive and be able to contribute to the virtuous blessing of such membership) when confronted by market-and-technology-driven inducements (or delusions) of personal liberation and opportunity…unless, that is, there was a tangible belief that such limits–moral, social, and economic–were reflections of, or perhaps even instantiations of, a higher order of things. It is actually at this point that Scialabba’s defense of Lasch hits its most difficult patch: “[Does Lasch] propose to resurrect ‘the theological context’–the existence of God, the freedom of the will, the immortality of the soul? The Covenant and the Incarnation? Must we believe in order to be saved? If so, then we are lost. We cannot believe the unbelievable, even to salvage our culture” (What Are Intellectuals Good For?, p. 172).

If we assume from the outset, of course, that religious belief–perhaps especially the kind of beliefs which sustained many community-grounded populist and progressive pushes towards greater democracy and equality throughout American history–is “unbelievable,” than it would appear that Lasch’s whole oeuvre is compromised. His close analysis of the role families and local communities do and should play in developing democratic citizenship and economic egalitarianism won’t hold water, if there is no reason for anyone to ever stay on the farm once they’ve seen the city. We might as well accept Yeselson’s–and many others’–criticisms, and consign Lasch to the dustbin as we ponder strategies for extending justice. Or else, of course, we could just give up on social and economic egalitarianism entirely. Which if, to be honest, where the majority of devotees of localism probably already are, anyway.

But, so long as belief has a chance, Lasch’s criticisms remain pertinent for making a defense of his great populist/communitarian insight: that local producers and democratic egalitarians needn’t be enemies after all.





Charles Siebert: Three Pieces on the Nature of Nature



Eutrapelian LandMinds





Charles Siebert


Journalist Charles Siebert writes about dogs, whales and chimps. His latest book is The Wauchula Woods Accord: Toward a New Understanding of Animals.




The Surprisingly Social Gray Whale
July 13, 200910:48 AM ET

Off the coast of Baja, California, scientists find gray whales are uncharacteristically social with humans, even allowing their faces, mouths and tongues to be massaged as they bump up beside boats.

Journalist Charles Siebert wrote about the phenomena in the July 8 issue of The New York Times Magazine. The article, "Watching Whales Watching Us," explains that relations between humans and the Pacific gray whale have been historically spotty. After being hunted nearly to extinction more than 150 years ago — and again in the 1900s — the gray whale has rebounded in population faster than any other whale species.

Behavioral and wildlife biologist Dr. Toni Frohoff also joins the show. She has studied marine mammal behavior for more than 20 years and is the director and co-founder of TerraMar Research and the Trans-Species Institute of Learning. Frohoff is co-author of the book Dolphin Mysteries: Unlocking the Secrets of Communication.

Siebert's new book, The Wauchula Woods Accord: Toward A New Understanding of Animals, details his encounters with Roger a retired former circus chimp, who lived at the Center for Great Apes in Florida and preferred the company of humans to chimps.





Are Humans Causing Elephants to Go Crazy?
October 6, 2006 1:00 PM ET
Heard on Day to Day

Groups of young male elephants in Africa have gone wild, attacking whole villages and even packs of rhinos. Human beings might be indirectly responsible -- new studies point to an alarming disintegration of the social fabric of the species, and the noise and physical threat posed by people might be prompting elephants to lose control, both in Africa and Asia.

New York Times Magazine contributor Charles Siebert talks to Alex Chadwick about his article about the elephant rampages, to be published in this weekend's edition.



HARPER'S MAGAZINE





The Artifice of the Natural:
How TV's Nature Shows Make All the Earth a Stage


+ "Today, the natural world is for us a place of reticent and reticular wonders that command our active exposure and editing; a world made up of what we half create and what, even when we're there, we fully expect to see."

+ "The more facts we compile about the animals' days, the more human the tales we tell about them. We've come so far from actual nature," 

+ "The wilderness is wherever the city ends and whatever wild animals have been co-opted to stand for wilderness in the granite houses of zoos or in those deep dioramas at the natural history museum."

+ "But to sit here in front of a nature show is to have one's ego fed shamelessly via the distilled essence of that original place whose indifference and gradualness we can no longer abide. We need the time-lapsed and tightly woven tale called nature, and it is from here and not from that tale's source that we now collectively depart. We are, in a sense, a species being increasingly defined by the steady progress of our walk out of the woods." 

+ "We've become, in a sense, a race of armchair naturalists even as more and more of us are now visiting the places and creatures whose stories we've watched on the TV. We go as nature tourists, fully equipped and expectant of seeing those characters, as though visiting the various sets of a Universal Studios theme park."



Wednesday, April 2, 2025

War: What It's Good For

 


War: What It’s Good For

2 min read
  • **Written years ago, this piece, sadly, still has relevance — perhaps even more so, as war and rumors of war provide record profits to the military industrial complex.***

Randolph Bourne once wrote that “[w]ar is the health of the state.” Ronald Reagan noted on a number of occasions the important “technological spin-offs” that the Cold War provided our nation’s economy. And let’s not forget Ike’s warnings about the “military-industrial complex.” But just when we thought the welfare/warfare state had finally coughed-up its much-anticipated and ballyhooed “peace dividend,” a new raison d’etre had arrived: “the war on terror.” Or, as our new economic paradigm is more popularly known, “Homeland Security.” Nothing like fear and the need for security to generate “new business opportunities,” courtesy of that multi-millionaire terrorist (investor?), Osama bin Laden. Heck. If Osama didn’t exist, we’d have ton invent him, given the dire straits of the current U.S. economy. Al Gore, let’s not forget, thought that the “green terror” route was the way to go, warning that we Americans were to use

every means to halt the destruction of the environment…. Minor shifts in policy, moderate improvements in law and regulations, rhetoric offered in lieu of genuine change — these are all forms of appeasements designed to satisfy the public’s desire to believe that sacrifice, struggle, and a wrenching transformation of society will not be necessary. (Earth in the Balance, p.274)

Change a few words and Al sounds like “W” making his case for the PATRIOT Act. Unfortunately for Mr. Gore, the “green paradigm shift” just didn’t have the raw appeal that a looming terrorist attack did. A “war on terror” will trump a “war on materialism” every time.

So let’s all be content with our new face of new economic growth, Osama bin Laden, and get down to busying ourselves with the business that we do best. It’s time to give war a chance…again.

Monday, March 24, 2025

Natural Resources: Thoughts on the Care and Abuse of Wildlife

 



Natural Resources

By John Jankowski

·Dec 13, 2023


As a long-time friend and advocate of/for animals, I can’t help but be confused by how when a caring person assumes responsibility for an injured or orphaned “wild” animal, the wild side of that creature somehow magically disappears; and what should be something of the public’s interest — conservation, protection of species, etc. — instead becomes that individual’s own absurd self-imposed or self-inflicted notion of “doing the right thing.”



In other words, HIS problem.


Far too often, the public and even conservation officers themselves are at a loss as to what to do with or where to bring these animals. Horribly, the alternatives then become either so-called “euthanasia” or “letting nature take its course” — with the irony of the latter being that it was our alteration of “nature’s course” that probably brought the animal to the circumstances that she finds herself in to begin with!


One way to ameliorate this would be for the IDNR to provide funding to perhaps one certified and qualified veterinary clinic per county, tasked with the care for either injured or orphaned wild animals. Of course, doing so would probably entail that the agency refrain from viewing and treating living beings as little more than “natural resources” — i.e., like coal.





Wildlife Conservation

Euthanasia

Wildlife Rehabilitation

Loving Animals

Metropolitan: After the Ball: Review of the Whit Stillman Film by Lucy Sante

 




Metropolitan: After the Ball
Review of the Whit Stillman Film



By Lucy Sante


As a movie about debutantes and their dates, Whit Stillman’s Metropolitan came into the world in 1990 looking lonely — and now, well, it looks lonelier yet. At the time, the idea of putting the American upper class on film — The Philadelphia Story aside — seemed like a sure way to keep theaters pleasantly uncrowded. Before the movie came out, it was hard to imagine anyone but its subjects wanting to see such a thing, and as for its subjects, did they really exist? America fancied itself a classless society, and old money assisted the illusion by concealing itself and shunning anecdote. Nowadays, you may wonder whether there is anyone left on Park Avenue whose fortune antedates the second Reagan administration. New money is so loud and so insistent that old money has either slipped discreetly away to ancestral hideouts or, as it were, gone native. Metropolitan, which looked like a perverse bit of daring in 1990, today seems like an artifact from an earlier century.

But it’s a lot more than a curiosity. Metropolitan, Stillman’s first movie, is as unexpectedly irresistible as ever: funny, moving, and entertaining, with a wonderful cast of unknowns (who have remained unknown) and quite a number of ideas, served up seamlessly and unassumingly. The story takes place in New York, during Christmas vacation, a hectic time filled with gala soirees. At the center of the composition is a group of friends who call themselves the Sally Fowler Rat Pack, after the one of their number who hosts the postdance skull sessions that supply the setting for much of the picture. As the movie begins, the seven members annex an eighth, a lone wolf named Tom Townsend, to even the gender balance in the face of a “severe escort shortage.” Tom acts as both the story’s catalyst and the audience’s knothole viewpoint.

The Rat Pack is composed of a delicately varied assortment of personalities. Sally Fowler herself (Dylan Hundley), a chipper contralto blonde, turns out to harbor smoldering ambition. Fred Neff (Bryan Leder) is mordantly self-aware, when he isn’t passed out on the couch. Jane Clarke (Allison Rutledge-Parisi) aspires to queen bee status, which makes her come off as older than the rest of the crowd. Cynthia McLean (Isabel Gillies) is sensual and capable of treachery. Charlie Black (Taylor Nichols) is bespectacled and already a walking op-ed column. Audrey Rouget (Carolyn Farina) is sensitive, pure of heart, and a bit dowdy. Nick Smith (Christopher Eigeman), the pack’s real leader, occupies center stage most of the time and is so armored by irony that it takes a while to realize he means everything he says. Tom (Edward Clements) is necessarily the figure who sets himself apart from the crowd, the insecure rebel and proudly hesitant prospective member.

Tom is, in fact, whether he likes it or not, not quite one of them. His parents are divorced, and even though he comes from the right background, he now lives on the infra dig Upper West Side (back when the Upper West Side was infra dig) with his mother, who has no money of her own. Thus he spends a lot of time concealing his deficiencies — that his tuxedo is rented, for example, or that he wears a raincoat because he can’t afford an overcoat. Both idealism and defensiveness propel his jejune political and literary pronouncements — he declares himself a Fourierist, for example, which is to say that he wants to be a partisan of the radically impossible. The story gets rolling when Audrey falls in love with Tom, which prompts him to actively resume his dormant infatuation with the icily distant Serena Slocum (Elizabeth Thompson). The narrative assumes its full shape with the appearance of Rick Von Sloneker (Will Kempe), a fantastically archetypal cad.

Metropolitan is an unashamedly literary film. Tom is unmistakably an offspring of F. Scott Fitzgerald’s sincere young heroes, although the world he enters is more closely knit and fundamentally provincial than Fitzgerald’s haut monde. It is, in fact, a fishbowl out of Jane Austen. (None of these allusions are exactly concealed by the director, who also wrote the script.) Austen is virtually a character in the story, but Stillman manages to avoid its seeming coy when, for example, Tom and Audrey argue about the “immorality” of the young players in Mansfield Park (Tom, characteristically, has not read the book, but relies on Lionel Trilling’s account, since critics spare readers needless toil by supplying the writer’s views as well as their own). The dialogue is ostentatiously written; every character wields subordinate clauses and uses words like however and nevertheless. The combination of stilted speeches and deft behavioral acting sometimes seems peculiar, but it is also peculiarly apposite. Like Austen, Stillman wears his irony lightly and deploys it affectionately.

The look of Metropolitan derives from a very different tradition, in part because the movie was made on a tiny budget that restricted locations and virtually precluded camera movement. Stillman and his resourceful cinematographer, John Thomas, worked out a series of graceful compromises, between stasis and airiness, formal composition and liquid spontaneity. The result is a look, surprisingly apt, that is most reminiscent of the early films of Eric Rohmer; and the disarmingly daffy end sequence has a low-budget, to-hell-with-it rambunctiousness that evokes Jean-Luc Godard’s Band of Outsiders. This may seem odd at first — a picture about the rites of passage of the “urban haute bourgeoisie” might be expected to appear as impeccably composed as The Earrings of Madame de?.?.?. — but shoestring improvisation provides the metaphor for the film’s subtheme.

Urban haute bourgeoisie, or UHB (pronounced uhb), is a term coined by Charlie, who is obsessed with the ongoing failure and imminent doom of his class. Stillman obviously thinks something of the sort himself — the movie’s title is subtle in its archly irrelevant grandeur, but you wonder if Twilight of the Gods didn’t cross his mind. (At one point, Tom’s bedside book is shown to be Oswald Spengler’s The Decline of the West.) Fifteen years on, the picture looks positively prophetic in its choice of villain. The smirking, ponytailed Sloneker may possess a bona fide title, but he is the future of the moneyed class: trashy, smug, narcissistic, abusive, enthroned in his Hamptons beach house. The members of the Sally Fowler Rat Pack, by contrast, are preserved in amber, however temporarily — they are serious young people, most of them apparently virgins.


Charlie, pining hopelessly for an era of civic responsibility and disinterested paternalism, represents an idea of conservatism that has now disappeared altogether; he is the most obvious dinosaur. Tom, who claims to be a socialist, turns out to have more in common with Charlie than not. Audrey, who is guided through life by literary classics, has no more of a sense of class entitlement than Tom does. Nick, just as game to fight a duel as to participate in a dĂ©classĂ©, nationally televised ball featuring debs from the hinterlands and their military escorts, is a romantic fatalist who would be at home everywhere and nowhere. Sally is fully endowed with poise and decorativeness, but she wants to be a pop star. Jane, who will probably be the first to get married, may also be the first to go on television. Cynthia has such a deeply rooted sense of privilege that she seems fated to end up in a Page Six scandal. Each of them is attempting to juggle two sets of values. At one point near the end, Tom and Fred are in a bar with Charlie, who has just finally delivered the eschatological sermon on class that has been building up in him. They spot a guy in his late thirties, and Charlie appeals to him for confirmation of his ideas. The graybeard doesn’t laugh or walk away but says, in effect, just get on with things. The point is clear, if unspectacular: realism and compromise are necessary if you want to stay alive.

This may sound dully practical, but the story’s unforced symmetry and the characters’ very credible complexities fill it out beautifully, and the movie’s plasticity makes it even seem adventurous. Form really does follow function in this film: its classicism is appropriate to the past of its imperiled class, while its ad-lib New Wave verve provides the equipment for facing the future. No less than any of the 1959 breakthrough works of the Cahiers du cinĂ©ma crowd, Metropolitan is a triumph of slap-up improvisation over limited resources, and it tells a tale that echoes that of its own construction: it is about making do. As such, it is as much a timeless story about the perils of growing up as it is an account of historically specific change and imbalance. The movie certainly does not concern itself with political questions — the actual money and power that lie behind the cultural anxiety and ritualistic tinsel of the upper bourgeoisie go unmentioned — but it is, after all, a movie about kids. It has remained remarkably fresh, and the elegantly choreographed tension of its many sets of oppositions suggests that it will appear no less fresh when its cultural specifics require footnotes. It is, like any product of good breeding should be, both well rooted and well aired.






Lucy Sante’s books include Low Life, Evidence, Kill All Your Darlings, The Other Paris, and Maybe the People Would Be the Times. Her latest, I Heard Her Call My Name, will be published in February 2024.

Criterion Collection
Luc Sante
Metropolitan
Whit Stillman
Film Reviews







Thursday, March 13, 2025

"Judge Not": Christians, Sinning and Hypocrisy

 



“Judge Not”: Christians, Sinning and Hypocrisy

John Jankowski


In the spirit of the late great St. Thomas Aquinas, I’d like to offer the following postulate: Every Christian is a hypocrite because every Christian is a sinner. Following this postulate’s logic, less hypocrisy would generate fewer sins and thus makes us all better Christians. Make sense? Well, then, I suppose in the dialectical manner or spirit of Socrates, I’d like to challenge the “Thomist” postulate with this supposition: “Being hypocritical” is a fundamentally sound Christian activity, and we would all do well to practice more of it. Here’s why.

Hypocrisy, as we all know, connotes judgment. As Christians, our ultimate judgment is that of God’s; in the here and now, it is that of society in general and that of our fellow Christians in particular. By claiming that we are Christian, we profess to live lives that are “Christ-like,” and we can look to His life lived and those of the Saints for inspiration and imitation. The more passionate our faith and the more vibrant and active it becomes, the greater the chances we have to be exposed as hypocrites. In other words, in revealing and thereby professing our faith, we become living targets, not only for the jealous, petty and churlish of our own congregations, but for the secular world that eschews and often denigrates “taking a stand” on so-called “moral issues.”

“Objectivity,” seemingly our society’s and especially our corporate media’s only abiding virtue, is not only a ruse but an “out” for its upholders. By claiming to be free from both internal and external “subjective” interests, our mediators can lay claim to “moral unaccountability.” The flaks and hacks that defend an imagined zone of non-culpability profess to be non-professors, claiming no privileged possession or conveyance of the truth, just a dutiful reportage of the facts. (Note how our society as a whole has come to mirror our media’s amorality…or is it the other way around?)

The upshot of this, of course, is that by refusing to acknowledge truth-claims, our media refuses to acknowledge any lie-claims, to speak. For if there is no “truth” — or at least pretensions there of — on its pages or appearing via other mediating implements, how can there be lies? And maybe this is fine, at least ostensibly. As Christians, we shouldn’t be turning to the media for “truth” anyway, especially truth with a capitalized “T.” But if we do just want the so-called facts and consult some media outlet for them, just remember that the fix is in. For to be free of bias or what we formerly referred to as prejudice is to be free of sin; and I’ve got to believe that there is no shortage of sin at The New York Times, et. al.

Bringing this back home again, I would then encourage all of us Christians to embrace our hypocrisy, because we are in effect embracing our faith. “Tolerance” may be an appropriate liberal or secular virtue; it has never been a Christian one. And if our Christian intolerance — our unabidance of societal morality — elicits secular or even “holy” approbation, let us welcome it. For as the perhaps not-so-great but certainly not-late John Cougar Mellencamp once tunefully quipped, “If you don’t stand for something, you’re gonna fall for anything.” And as Christians, we are called to indeed take stands. We must not only talk His talk, we must walk His walk. And if in the process we happen to stumble as we trundle, or if our gait appears weak at times, let our brother in faith nudge us on. Let our conscience remind us. Let the Holy Spirit guide us — back to a path more befitting of that of our Lord’s.

Don’t be tempted to lay down your cross because of our societal “slivers.” They are one and the same. Don’t be afraid to be a hypocrite.

TAGS:

Judging Others
Christianity
Sinning
Hypocrisy
Tolerance








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